The Unemployed Human Tivo
When you aren't home and just need to hear the Pah-kuk - pah- kuk sound to rewind your life just a little.
It's A Hit!
Oprah Grills James Frey
Association for Psychological Science: 'To be or, or ... um ... line!'
I was reading the LA Times this morning and came across this article. Last weekend I happened to catch a VH1Classic showing of a live Rush concert. I commented to the wife about Neil's drumkit and how huge it is. So I called up my buddy in LA to tell him to catch it, not only didn't he have VH1Classic as a selection on DirecTV, but he also said he had outgrown listening to Rush.
800 WORDS
The Big Bang
By Dan Neil
January 22, 2006
Once upon a time, giants thundered across the land: Moon, Bonham, Baker, Palmer. These sweaty and indifferently groomed young men gave the world that curious and hard-to-love artifact of rock, the drum solo.Won't somebody please hold up a flaming lighter?
For a couple of decades—from, say, 1967, the release of the first Vanilla Fudge album with Carmine Appice on skins, to the break-up of the Police, when drummer Stewart Copeland and Sting could at last no longer stand the sight of each other—the drum solo was a reliable part of arena rock's audio furniture.
And I was there. Nazareth. Black Sabbath. Pink Floyd. Yes. Emerson Lake and Palmer. Blue Oyster Cult. Aerosmith. Queen. The Who. Jethro Tull. I'm one of those few survivors who saw Led Zeppelin in concert—how quaint that sounds now—and heard John Bonham play the furious and fundamental "Moby Dick," with its phase-shifted tympani, tom-toms played barehanded like Indian tabla, machine-gun triplets and cymbals hissing like lava pouring into the sea.
It's been 25 years since Bonham's tragically clichéd drummer's death—choking on his own vomit during an alcoholic blackout—and while he is sorely missed, the same can't be said of the drum solo per se. Somewhere along the way, the drum
solo became a rock-and-roll punch line of the "More cowbell!" variety. Among the top concert draws of 2005, the Rolling Stones didn't break stride to give Charlie Watts—an exceptional jazz drummer when not propping up Mick and the lads—a 20-minute showcase; neither did U2 step aside for an intimate moment with drummer Larry Mullen Jr., because if they did, well, just think of the crush at the snack bar.The passing of rock drum solos was so unlamented that I might have missed it but for a new DVD by Neil Peart called "Anatomy of a Drum Solo." Peart is the drummer/percussionist for the arena rock institution Rush and is widely considered the greatest living rock drummer. By my calculation, Peart is also
the most prolific drum soloist ever. In its astounding 31-year history with its original lineup, Rush has spent more time on the road than the Roman army, and there was always, always a drum solo in the show. At least there was the five times I saw them. So I called Neil Peart to ask: What happened to the drum solo?"Rock drummers killed the solo themselves," Peart tells me when we meet at a coffee shop in Santa Monica. "It got to be so predictable and manipulative. They cheapened it by making it a clap-along or a boring ramble."
Oh yeah. Few things in music are so grating as a long, thrashing drum solo by some sweaty dude working his way around the trap kit (Tommy Lee, are you listening?). The trouble is, it was always so. One of the sacred texts of solo drumming is Ron Bushy's notoriously flatulent 2 1/2-minute tumble on Iron
Butterfly's 1968 monster hit "In-A-Gadda-Da-Vida.""Even as a kid I hated that song," says Peart. "It was the anti-drum solo.
There was no technique, no musicality, no dynamics at all.
If you owned this album, that's not incense you're smelling, it's shame.
Peart's larger point is that the rock drum solo, which emerged out of an honorable tradition of showmanship set by big band players such as Gene Krupa and Buddy Rich, rapidly descended into musical cynicism. Partly at fault was the economics of the arena itself. When rock bands started selling out 10,000-seat coliseums in one town after another, any sense of intimacy—or rock's rebellion—was swallowed by the vacancy of the venue itself. The drum solo became part of a repertoire of arena-rock tricks to pull huge and disconnected audiences into the show.
"Asking the audience to clap along can be part of a really sincere desire to include the audience in the music or the performance," says Peart, "or it can be just like pressing a button. It can be a beautiful thing or an ugly thing."
So what started out as a virtuoso exploration of an instrument's solo potential became, almost immediately, rock's 7th-inning stretch.
The other big problem with drum solos? The audience. It became clear to me after watching Peart's explanatory DVD that civilians—which is to say non-drummers—don't really understand what they're hearing. In one section of Peart's "Der Trommler" solo, he keeps waltz time, 3/4 rhythm (PA-tah-tah, PA-tah-tah) with his feet, while playing lightning-fast 6/8 and 7/8 drum fills across his other drums. In terms of physical coordination, this is something like playing badminton with two rackets while typing with your feet. But if you hadn't been enlightened, you might think it just sounds like billiard balls in a dryer.
Peart amiably disagrees, wincing at the suggestion that the audience somehow just doesn't get it. "Drumming shouldn't be something you need an education to appreciate." After all, he says, "You can't blame the audience for everything."
This sounds like an interesting activity. It made it to our alternative activities list MTV Labs. I just can't believe this is the THIRD ANNUAL and I've missed the first two completely.
Run Idiots Run
Time to steal your shoppin carts, the Idiotarod is coming!... "The Iditarod is the famous long-distance race in which yelping dogs tow a sled across Alaska. Our Idiotarod is pretty much the same thing, except that instead of dogs, it's people, instead of sleds, it's shopping carts, and instead of Alaska it's New York City"...
We love this crazy-ass, outlaw NYC event. The costumes are wild, the shopping carts are inventive, and the people are insane! (the carts are usually packed with beer.) And it's this weekend!... "The third annual event happens January 28, 2006. It will start in Brooklyn, run into Manhattan, and end approximately five miles later. Teams of five will race for a cash prize. And glory."
From The Gothamist - The Idiots are Coming
The Official site & info - Idiotarod
Photos from - Mikey NYC's awesome 2005 Idioarod set
What do you call the little yellow thing you'd put inside of a 45 RPM record in order to make it play on a regular turntable?
Well, it seems that some people decided to show that SNL's Narnia Rap Lazy Sunday isn't fair and balanced to those that live on the West Coast. So they came up with Lazy Monday. As a born and bred Los Angeleno who's not lived there for 15 years, well I find myself a bit out of touch with what places they are talking about. Maybe it's because I grew up in the Valley, I don't know. I do know that Google Maps is MUGH better than Thomas Guides even though I know I grew up on pages 13-14 of the LA County edition. (unless that's now different pages...)
My brother spent last week at the NAMM Conference in Anaheim, and ran into Buckethead (who was walking with Bootsy Collins).
Jeff over at Jefitoblog pointed this one out. You rock, Jeff.
The Song Tapper claims to be able to recognize a song that you tap into the computer using only your space bar. But I've tried "What A Fool Believes" twice now, and they're not recognizing it. Here's what I tapped, and here's what they suggested I was tapping:
Gimme Gimme Gimme (A Man After Midnight) Abba |
We've Had Enough Alkaline Trio |
Englishman In New York Sting |
Saturday Night Whigfield |
Run To The Hills Iron Maiden |
Turkish March Mozart |
My Favorite Things |
Oh, Dreidel, Dreidel, Dreidel |
Coin-Operated Boy Dresden Dolls |
Sweet Home Alabama King / Rossington |
Mike just called me to let me know about MyHeritage.com, a geneology website that is currently running a face recognition beta - you upload your photo, they do some sort of scan on it, and pull up celebrities that resemble your facial characteristics.
The first one, Wang Newton is a bit of a laugh. I'm not so sure just how to take it since normally Angry Asian Man points to racist articles and items and outright declares them racist as, "That's racist!" with the examples of the Spencer Gifts photo post further down the page. If “HANG OUT WITH YOUR WANG OUT” (Spencer Gifts) and "Wong Brothers Laundry Service -- Two Wongs Can Make It White." (Abercrombie & Fitch), then why isn't Wang Newton's "Fresh off the boat, the Ruv Boat" also not? Maybe because it's like the N Word, okay when "they" say it.
01.17.06
I have no idea what to make of Wang Newton. Performing monthly at the Walnut Room in Philadelphia. Here's a brief interview with her: Meet Wang Newton, a relative newcomer. What is a "1950s-Hollywood-style Asian accent"?
01.17.06
The competition was tough, but 20-year-old Caltech student Leyan Lo set a new world's record this weekend for solving the Rubik's Cube: Man Solves Rubik's Cube in 11.13 Seconds. He also set a new world's record for nerdiness.
01.15.06
Here's an article on brothers Tyson and Toby Mao, stars of the deadly competitive art of speedcubing: Brothers square off in cubing contest. Okay, so it's not really deadly. It's solving the Rubik's Cube really really really fast—so fast it should be deadly! As you know, Tyson's on the current season of WB's Beauty and the Geek, along with fellow geek Ankur and beauty Cher (turns out she's of Asian descent, as many of you have pointed out to me).UPDATE: Cher, the beer spokesmodel and former Hooter's waitress, is indeed part Korean. In this article on her geeky teammate Herman, he says that other contestants started calling them "Woody and Soon Yi." UGH. Yak. Pitooey.
From the Channel 101 message boards, "Yacht Rock" creator JD Ryznar (who apparently dug the Thriller revisit from a few months ago on here) posted a great interactive article from AP on Yacht Rock. You can find it here. Lots of great tidbits on there (congrats on getting an agent, JD!), especially the parts at the end where they have snippets of some of JD's favorite YR tracks.
Third post today!
Back in November, I commented on WLTW's All-Christmas switch a full 5 weeks before the holiday, and the reasons for switching so early:
The reason they flipped so early has to do with ratings - the Arbitron Fall Ratings book is in its last phase, and if WLTW picks up enough listeners, it'll reflect in the fall book (and thus positively enhance their advertising opportunities).
I predict that WPLJ will flip either on or the day after Thanksgiving. JACK will stick with its current format, as will 102.7, in the hopes of catching those who are sick to death of Christmas music.
Gear Live has gotten their hands on a new Series 3 TiVo. I haven't watched the video yet, but nearly choked when I read their initial price predictions.
CNN.com - Vengeful mouse sets house ablaze - Jan 8, 2006
Well, since Jason likes him so much and I do enjoy listening to him play...
Piano man rallies after curious twist
BY GLENN GAMBOA
STAFF CORRESPONDENT
LINK
January 9, 2006
SUNRISE, Fla. -- Billy Joel pulled it out in the end, like his beloved Yankees trying to salvage a season.
Halfway through the launch of his latest tour -- his first as a solo headliner in nearly seven years -- here at the BankAtlantic Center Saturday night, it wasn't exactly a sure thing.
Joel opened strong with "Piano Man" and grand versions of "Allentown" and "New York State of Mind" quickly followed. But the early inclusion of "Everybody Loves You Now," a nugget from 1971's "Cold Spring Harbor," and a Beatles-esque take on "Laura" from 1982's "The Nylon Curtain" suggested that he was easing the crowd into a different kind of Billy Joel show -- one that supported his recent "My Lives" box set, which collected rare tracks and demos from throughout his career.
But that didn't come close to preparing them for the show's huh?-inducing mid-section: "Stiletto," "Zanzibar," "Great Wall of China," "All for Leyna," "Sometimes a Fantasy," "Sleeping with the Television On," "The Night Is Still Young," "Big Man on Mulberry Street" and "Where Is the Orchestra?"
Granted, it's a boon for many fans to see these songs -- especially the lovely "Where Is the Orchestra?" -- performed for the first time. And it's quite daring for Joel to go that long without throwing in one of his best-known hits. Unfortunately, it didn't work and it seems Joel could tell, since he "called an audible" on stage to let the band and crew know he was moving the rocker "Sometimes a Fantasy" up in the set.
There's little to complain about the songs individually, since Joel's voice and his first-rate backing band were as strong as ever. But taken together, they slowed the pace too much and erased the momentum generated by the start.
It's all part of the process of building a new tour -- along with getting the lighting cues right so that Joel could see drummer Chuck Burgi to know when the songs started. Rest assured, Joel fans, by the time he arrives at Madison Square Garden on Jan. 23, for the first of -- at last count -- nine concerts through March 2, this will, no doubt, be fixed by a couple of substitutions.
Starting with "Keeping the Faith," Joel began building the energy level again, before finishing the set with a powerful quartet of rockers -- "I Go to Extremes," "We Didn't Start the Fire," "Big Shot" and "You May Be Right." All four benefited from some new harmony arrangements that showcase Crystal Taliefero's vocals more and get some heft from guitarist Tommy Burns, bassist Andy Cichon and saxophonist Mark Rivera.
"River of Dreams," the first encore, had Joel and the band running like a well-oiled machine, putting to rest any worries about Joel handling a full two-hour-plus show on his own again after years of abbreviated sets he co-headlined with Elton John.
After all, few veteran rockers can close a show like Joel. And when he unleashes his murderer's row of hits, he is next to unstoppable.
Rocketboom
If you have not already added it to your Tivo subscription (it's free, just subscribe to it in Showcases if you have broadband or use the link) it's a nice videoblog to watch. It's about 3-5 minutes long and adds a little bit more than a regular blog. I'd give it the same difference as going from print to radio to TV.
here's a sampling of what a typical blog offers:
story links: 1000-pixel ebay auction for million dollar homepage, coldplay's new music CD has usage rules, (via), ozone hole repair models (thanks, dan!), bluesnarfer bluetooth exploit (video), creative labs rolls out zencast, bea camacho crocheted herself into a cocoon (via), the rocket launch (thanks, daniel!); music: instruments |
A couple of days ago, Gothamist's pal Andy created an online fake MTA sign generator. Now, he's hacked together a thumbnail gallery that displays all of the different signs you guys have made (and now that the meme has escaped to the other NYC sites, there are hundreds of examples!) But we need help-- our attention span is only five seconds long, which means that we didn't have time to find more than the four amusing examples pictured above. Go to the page and pick your favorites, then link them in the comments! Give your favorite sign hacker the eternal fame he or she deserves!
'There Is Terrible Trouble Ahead' was the tagline that made me click on the entertainment news... what could be terrible trouble ahead especially in the entertainment industry world?
LONDON (Jan. 4) - Guitarist Pete Townshend has warned iPod users that they could end up with hearing problems as bad as his own if they don't turn down the volume of the music they are listening to on earphones.
Townshend, 60, guitarist in the 60s band The Who, said his hearing was irreversibly damaged by years of using studio headphones and that he now is forced to take 36-hour breaks between recording sessions to allow his ears to recover.
"I have unwittingly helped to invent and refine a type of music that makes its principal components deaf," he said on his Web site. "Hearing loss is a terrible thing because it cannot be repaired. If you use an iPod or anything like it, or your child uses one, you MAY be OK ... But my intuition tells me there is terrible trouble ahead."
Referring to the increasingly popular practice of downloading music from the Internet, Townshend said: "The downside may be that on our computers - for privacy, for respect to family and co-workers, and for convenience - we use earphones at almost every stage of interaction with sound."
The Who rock group was famous for its earsplitting liveperformances, but Townshend said his problem was caused by using earphones in the recording studio.
Via Kottke, here's the BBC's list of 100 Things We Didn't Know This Time Last Year. I was especially interested in #25: "Nelson probably had a broad Norfolk accent." If that's true, it certainly doesn't come out in "Love and Affection" or "After The Rain." Unless they're talking about Nelson Muntz? I don't hear it in "ha ha!" either.